
Sydneysiders were astonished in 2009 when White Rabbit Gallery opened in grungy Chippendale – a hop and a skip from Central Station. In what amounts to a generous gesture to the city, the four-storeyed non-commercial gallery, fashioned from an old knitting factory, showcases Judith Neilson’s cutting-edge, politically charged contemporary Chinese art collection and includes a tranquil street-level tea house.
For architect William Smart, 45, working on the conversion was “a dream come true. The idea I had was to make the gallery very connected with the public domain,” says Smart, who was born in Cambridge, New Zealand, raised in rural Western Australia and has called Sydney home for 18 years.